Tag: Skip The Foreplay

Are Abandon All Ships Reuniting…Again?

Are Abandon All Ships Reuniting…Again?

Seriously, are all the old crabcore/risecore bands reuniting?

Canadian crabcore outfit Abandon All Ships might be reuniting for the second time in their career. Word of a reunion came when their Facebook page posted a mysterious message late Friday night. Check it out below.

The post got several people excited, including Settle Your Scores frontman Christian Fisher who wrote, “Is every crabcore band going to make a comeback this year? I’m so freaking hype. Holy crap.” One fan wrote “Y’all better not be playing with my emotions” and someone said that their “8th grade back hairs stood up” after seeing this. Fisher’s comment is in reference to Attack Attack!’s shocking reunion earlier this week.

“Take One Last Breath”, their most well-known track, appeared on their debut album Geeving released back in October 2010.

Abandon All Ships formed in Toronto in 2006, getting their start by covering Norma Jean songs. Their original lineup consisted of lead vocalist Angelo Aita, keyboardist Sebastian Cassisi-Nunez, guitarist David Stephens, vocalist/drummer Martin Broda (he would later become AAS’s bassist in 2009) and bassist Francesco Pallotta (who quit in 2009). In early 2010, they signed a record deal in the U.S. with Oregon based label Rise Records (Crown The Empire, Kvelertak, Thousand Below), releasing three albums with the label. They broke up originally in 2014 shortly before a tour with Dance Gavin Dance but reunited shortly in 2016 to drop a new song called “Loafting”.

They’ve toured with Hollywood Undead, Miss May I, Dance Gavin Dance, Skip The Foreplay, and For The Fallen Dreams, and appeared on the 2011 Vans Warped Tour on the Advent Clothing Stage with Enter Shikari, Of Mice & Men, and Black Veil Brides.

Oh God, Here’s 20 More Of The Weirdest Covers Ever Recorded (Part One)

Oh God, Here’s 20 More Of The Weirdest Covers Ever Recorded (Part One)

I never planned on making this. There was never supposed to be a third list, but here we are. I stumbled onto a cover that mewithoutYou did and then I fell into a rabbit hole of bizarre covers, and here we are again.

Pray that I don’t make a fourth list.

As I mentioned prior in my other lists, “I have to inform you that the songs on this list are covers that were recorded for a compilation, an album, or as a single. There will be no live covers on this list.” Who knows if I’ll ever do a list for strange live covers.

Before I start, I would like to thank the people in Midwest Emoposting on Facebook for helping me find some songs to put on this list.

Well, here we go. This is part one.

1. mewithoutYou – In Bloom (Originally by Nirvana)

Nirvana are one of the most influential bands from the 90s. With that being said, numerous artists have covered their songs. Case in point, “In Bloom” from their sophomore record Nevermind. That track has been covered by several artists and bands such as Four Year Strong, Torche, Sturgill Simpson, Hooverphonic, and So They Say. But when mewithoutYou covered it for Come As You Are: A 20th Anniversary Tribute To Nirvana’s ‘Nevermind’, every other cover got blown out of the water. The simplistic take by mewithoutYou features an acoustic guitar, a kick drum, an accordion, an electric guitar, and Aaron Weiss’s haunting vocals. It just doesn’t sound like how you would expect “In Bloom” to sound like. mewithoutYou were able to transform this song into one of their own, and that’s impressive. Also this album features covers done by Civil Twilight, Hawthorne Heights, Story Of The Year, Finger Eleven, and Anthony Raneri of Bayside.

2. Roses & Revolutions – Sugar, We’re Goin Down (Originally by Fall Out Boy)

I found out about this cover from an unlikely source: my mom. She showed me this cover that apparently played on her Sirius XM radio and I had to look it up. Glad I did. This haunting acoustic version from this indie duo from Rochester is beautiful and bizarre at the same team. Alyssa Coco’s vocals are soft and fit well with guitarist Matt Merritt’s equally soft strumming, turning this pop-punk classic into something you’d hear in a Starbucks.

3. New Breed – Raise Your Glass (Originally by P!nk)

I’ve talked about the Japanese Punk Goes Pop albums before, and they’re either hits or misses. Mostly misses. This is one of those misses. The Japanese screamo act New Breed butcher the fuck out of P!nk’s party jam “Raise Your Glass”. There has to be a rule for having way too much blast beats in your song. It’s just a messy cover that never seems to calm down and needs some adderall to relax. Overall it’s a hot mess. Dear lord.

4. Clivillés & Cole – Pride (In The Name Of Love) (Originally by U2)

Oh fuck. I’ve dreaded talking about this cover. Clivillés & Cole, who would later become C+C Music Factory (you know, these guys), covered this song by U2 for the movie Gladiator (no, not the Russell Crowe film, this one). It’s a horrible techno version that stretches out the track from the original 3:48 minutes to nearly eight minutes. That’s almost double the original version. For your safety, avoid this track like the plague.

5. Everclear – I Will Follow You Into The Dark (Originally by Death Cab For Cutie)

Why? On their greatest hits album, 90s punk rock band Everclear ruined the sacred acoustic song “I Will Follow You Into The Dark” by Death Cab For Cutie by making it a punk track. No, fucking no. Oh, and that’s not the only cover on that album. They also did “I Won’t Back Down” by Tom Petty and “Brown Eyed Girl” by Van Morrison. Also, I’ve been meaning to put this cover on the previous lists but I kept forgetting. Or maybe it was subconscious trying to save me from making the world remember this cover.

6. Wind Rose – Diggy Diggy Hole (Originally by Yogscast)

To quote iiZach Gaming, “From a Minecraft clip… to a fan made song… to an official song… to a metal version of the song. Wow.” “Diggy Diggy Hole” originated as a joke from Yogscast, then it became a song made by a fan, then a real song by Yogscast, and then redone by a fucking metal band. Many were shocked when Italian folk metal group Wind Rose made their own version of this song. The band explained why they did this, saying, “Mining is one of the most important activities for a Dwarf, naturally Wind Rose needed a theme song for this great honor of collecting these jewels from the soil, so sing with us with pride!!” I honestly have no idea what to say. Dig on.

7. Act As If – Pathetic (Originally by Blink-182)

What if Coldplay wrote “Pathetic” instead of Blink-182? That’s what indie pop group Act As If answered back in 2011 with their lovely rendition. The fast punk track gets redone as a beautiful, heartfelt pop song. Peter Verdell’s vocals are so soothing while backed over a gentle guitar strumming, Sara Lindsay’s voice, and a xylophone. It even got Mark Hoppus’s seal of approval when he shared it on his Facebook page.

8. Hidden In Plain View – Mr. Jones (Originally by Counting Crows)

In 2004, indie label Vinyl Summer Recordings released a tribute album called Dead And Dreaming: An Indie Tribute To Counting Crows. On it, bands like The Rocket Summer, Between The Buried And Me, Punchline, Houston Calls, and The Junior Varsity, covered their favorite songs by Counting Crows. The odd one that takes the cake has to be Hidden In Plain View’s rendition of “Mr. Jones”. The emo act add electronic elements and some autotune into their version. It would be a good cover if it weren’t for the autotune. And if you’re wanting to buy this album, it’s incredibly rare. You can purchase it here.

9. Biffy Clyro – Modern Love (Originally by David Bowie)

One listen to this cover and you’ll say, “That’s supposed to be a Bowie song?” When Howard Stern recruited several musicians for his tribute called The Howard Stern Tribute to David Bowie. It featured 25 musicians like Greta Van Fleet, The Struts, Car Seat Headrest, Lisa Loeb, and Garbage, paying tribute to the legendary British musician. Scottish rock trio Biffy Clyro go all out on their take of “Modern Love”, making it sound unrecognizable. The screams, jangly guitar parts, and heaviness of the cover are eyeopening, and it’s a beautiful tribute to the late Bowie.

10. Skip The Foreplay – Champagne Showers (Originally by LMFAO)

Remember when every metalcore band covered a pop song? I do. Back in 2011, Quebec based trancecore group Skip The Foreplay covered LMFAO’s “Champagne Showers”, being a minor hit for the group. It had over a million views on YouTube and was included on their only album Nightlife, which Epitaph Records (The All-American Rejects, Mannequin Pussy, Quicksand) released. Oh, and this cover was the reason they got to tour with Lamb Of God, We Came As Romans, blessthefall, Falling In Reverse, and Abandon All Ships, plus an appearance on the 2012 Vans Warped Tour with Tonight Alive, Hostage Calm, and Impending Doom. If you’re curious about where they are now, they went defunct in 2014 and renamed themselves Now And On Earth. They went defunct again in 2015.

Part two will be posted later.

So Long And Goodnight: How Warped Tour Changed Me

So Long And Goodnight: How Warped Tour Changed Me

Today is the day I wish I didn’t have to see, the end of the Vans Warped Tour.

Yes I know it might be coming back as a weekend festival from rumors I heard, but the cross-country part is finally coming to a close later tonight. Who would’ve guessed that a festival that I started going to at the ripe old age of 12 would influence so much of what I do? To be honest, if it weren’t for Warped Tour, I wouldn’t be doing this blog, I wouldn’t have done my work at The Record at Buffalo State, I wouldn’t have started Nurse Joyful, I wouldn’t have subscribed to Alternative Press, hell, I wouldn’t have been who I am now.

When I was growing up in Buffalo, the only music I heard was from what my mom had playing on her boombox when she did laundry in the basement at our old house, to my sister’s “It’s Not A Phase, Mom!” phase when she listened to My Chemical Romance, The Used, and Hawthorne Heights, and whatever Kiss 98.5 played. Also we had MTV and Fuse which helped open me to a whole new world other than Avril Lavigne, The Pussycat Dolls, or 50 Cent.

In 2006, my sister and my dad went to Warped Tour when it came to Darien Lake on August 1, seeing Joan Jett And The Blackhearts, Aiden, and Hellogoodbye. I caught wind of it later and was curious about it, so I had to wait another year before I could finally go.

The day finally came in 2007 when I would finally attend my first Warped Tour. It was August 10, a day which I barely remember, but I do remember seeing All Time Low on a small stage and having guitarist Jack Barakat telling everyone in the crowd to join them in the silo outside the festival’s grounds for an orgy. I also saw The Toasters, blessthefall (with original vocalist Craig Mabbit before he left to join Escape The Fate), Boys Like Girls, and Tiger Army, but that’s all I can recall. Others like Chiodos, Paramore, Maylene And The Sons Of Disaster, Envy On The Coast, Daphne Loves Derby, and My American Heart performed that day.

Ever since that day I started going every single year, never missing one, whether it was blazing hot or raining hard. Throughout my 12 years at Warped, I saw bands of multiple genres, like electronic (Big Chocolate, Shy KidX, DJ Scout), pop-punk (Mayday Parade, State Champs, The Wonder Years), hip-hop (Koo Koo Kanga Roo, 3OH!3, Itch), metal (Attila, GWAR, Municipal Waste) post-hardcore (Silverstein, Pierce The Veil, Enter Shikari), acoustic (Aaron West And The Roaring Twenties, Frank Turner, Brian Marquis), ska (Less Than Jake, OreSkaBand, Streetlight Manifesto), rock (’68, Ludo, The Maine), and others. With each passing year, my taste in music grew. Hell, when I was young, I couldn’t stand metal or screamo, but after I heard As I Lay Dying’s “Confined” on the 2007 Vans Warped Tour compilation, my opinion changed. Since then, I started listening to more heavier bands like Skip The Foreplay, August Burns Red, and Every Time I Die. I’m glad I gave it a chance.

When I heard the news last November that Warped was ending, several emotions flowed through me, mostly anguish. This festival helped not only shaped my love for music, but helped me see that I wanted to do something musically with a career, whether it was touring or writing articles like this one that you’re reading. While I’m sad to see it go, I’m glad for all the things it has done to me. To quote Dr. Seuss, “Don’t cry because it’s over. Smile because it happened.”

Thank you, Kevin Lyman, you made me the man I am today. Stay forever Warped.

1995 – 2018

 

Dead Girls Academy Get A Second Chance At Life On Alchemy

Dead Girls Academy Get A Second Chance At Life On Alchemy

Not everyone gets a second chance of life. Luckily, Michael Orlando, former vocalist of Vampires Everywhere! and the main man behind Dead Girls Academy, got one. After nearly dying from a car crash which killed the other driver, Orlando decided to do more with his life. “The infamous accident has impacted my life in a million ways. It inspired me to follow my dreams and do more than just get a 9-to-5 job!” Orlando said in an interview with Stitched Sound. “This experience has made me stronger and more hopeful about life in general…I try to view this tragedy as a stepping stone to something bigger.”

With this mindset of his, he closed VE! in 2016 and created Dead Girls Academy with the help of Ronnie Radke (Falling In Reverse, ex-Escape The Fate), producers Elvis Baskette (blessthefall, Falling In Reverse, Slash) and Tyler Smyth (Dangerkids, Falling In Reverse, Save The Lost Boys), Orlando was able to get a different second chance, this time with music. That in mind, he channeled this in with DGA’s debut album Alchemy, releasing June 15 on Victory Records (Broadside, Save The Lost Boys, We Were Sharks).

And speaking of second chances, I thought I was going to hate this because of Orlando’s previous venture. Yes, I didn’t like VE!, ironic since I loved acts like The Bunny The Bear, Ghost Town, and Skip The Foreplay years ago (that’s right, I, a music critic, had shit tastes). But after giving this a chance, it’s really not that bad.

Kicking off his new project is the heavily FIR inspired number “Medicine”, which starts off with Orlando singing, “Oh my God here we go again!” This line is a fresh start for Orlando and his second chance in music. It doesn’t end there as this mentality of his continues throughout the rest of the album’s 40 minute running time.

But it isn’t just about second tries. Orlando also writes about the things he’s seen while living in Hollywood. In a press release from Victory, Orlando says, “Growing up in Hollywood there are so many fucked up things I’ve seen, I could write six novels about them all. But that’s what breeds the creative juice and you will believe me once you hear Dead Girls Academy.”

Like I said in the third paragraph, I was shocked by this album. Before I go into the good, there’re some tracks on the album that I really didn’t like such as “Cannibal”, a generic rock song that seems to be filler, the second single off the album “No Way Out”, a discount Motionless In White tune, and “Far Away”, the album’s closing number. But that’s really all I could find wrong about Alchemy.

Alchemy is packed with a bunch of amazing tunes that clearly show that his talent was wasted in VE! “I Can’t Feel A Thing”, a heavy slow jam, packs quite the punch and deserves to be a single off the album. Orlando’s soft falsetto in the verses fits in well with his “darker side of rock & roll.” “Conversations” features a fabulous synth that backs Orlando and crew with an orchestral tone. My favorite track has to be the main single off the record, “I’ll Find A Way”. The song was released last July when the band was on Warped Tour and it is by far one of their songs that quickly changed my tone on Alchemy. The hard rock/post-hardcore number sounds like a mixture of Mötley Crüe,  Beartooth, and of course, Falling In Reverse. Radke’s influence on his friend shines bright on “I’ll Find A Way”, and the guitar solo just screams late 2000s/early 2010s scene metal (I hope you know what I mean by that).

Overall, Alchemy isn’t a masterpiece or a horrible mess, it’s an okay rock album that has some great tunes and clearly shows that Orlando is fine with leaving VE! in the past. Dead Girls Academy is what his mind and heart is set on, and it’s for the better. Are you ready to enroll in Orlando’s academy of rock and roll?